Born during the great buffet of 1906, Pat is considered the prodigy when it comes to overeating. Instantly stuffing his face with dark roasted beats and heavy salted bass he shocked the world as the infant with a gluttonous appetite for anything FAT. Every year Pat would get a little bit hungrier and grow a little bit fatter until he became a ball of fleshy cottage cheese. With his never ending vortex of griminess inside of him, Pat's stomach produces thrashing flatulents that entrance spectators in its warm and wet embrace. Indulge in the experience of thick musky bass explosions and jiggling funky flab the world has grown to know as FAT PAT.
Welcome Knight Riderz strait out of Canada these two make a perfect example of what a Multi Genre Bass Music producer is. They have everything drums that bang, melodies that romance, and synths that rip your senses into new dimensions. Knight Riderz have a heavy harmonic flavor all their own. With backgrounds in Reggae, Hip Hop, Metal, and Classical music there is literally no confines or rules to their output. I recommend you keep an eye out for theses two. I have a feeling they will be doing big things!
Allow me to introduce you to someone from the other side of the seas. Buckinghamshire, Britain U.K. to be exact. Max Geldeard A.K.A. MaxG is a very talented up and coming producer in the dub-step scene. I use the term "up and coming" loosely because he as been in this game for 15 years now. He as only recently redirected his focus to dub-step. Witch from what I have heard so far, is a really good thing!
I started producing a few years ago with an old mate of mine (Dave T). Says MaxG. But have recently changed Software Sequencer and I’m currently going solo.At the moment I’m really just trying to find my own sound, something a bit original, and Dubstep seems to be really channeling my creativity well.
I started off DJ’ing about 15 years ago (Jungle and Drum & Bass) in my Bedroom and round at mates houses doing mixtapes, then at Free Parties (illegal raves) round my local area. I do still do a small amount of DJ’ing now and again, mainly Breakbeat though.
I’m using Ableton Live for software, and a bunch good VST synths that help me get the sound I’m getting at the moment.
I’m hoping to focus on getting a Live DJ set together of my Dubstep, and hope to play it out live when I get enough tunes together.
I’m always up for collaborating with other Producers and Artists – drop me a line via Soundcloud.
I’m also looking for a record label who likes my sound enough to want to publish some of my tunes :o)
-Max G.
This is my version of "Take a Penny, Leave a Penny". Only with music. Soundcloud did a really interesting thing with there widgets, allowing people to make pools of tracks that are community funded. I put these groups together hopeful to find new music that could be categorized as multi Genre Bass Music. So far it has worked pretty well. Hopefully this will be a good resource/starting point for both DJ and Producer. Since they can both share and find tracks very easily. These are ever growing sources of tracks, most of them free! I would recommend checking on it frequently. Soundcloud has made some new rules in regards to downloads. Some tracks have limits to the amount of times they are downloaded. But I believe that they reset every month. If you have a track you would like to share please drop it in the appropriate drop box located above each player. If you are looking for new track check them out there are some good ones!
Ben Samples is a extremely talented producer based out of Boulder, CO. His style is very broad and filled with Crunk, Glitch-Hop, and Bass. Ben Samples has a knack for taking old club anthems an making then into bass heavy glitched out new ones.
Ben Samples started in 2006 when he picked up a weekly variety radio show for CU Boulder's KVCU. The show covered many styles and genres. But after 2 years the radio show ended leaving Ben Samples with the free time to pursue his DJ career. Ben Samples is also one half of the live remix project Fresh2Death. Check them out "http://www.myspace.com/fresh2deathmuzik", or for more of Ben Samples music including some new albums check out his links below.
Chris Cox. "A.K.A. Omega" is an extremely talented 27-year-old producer form Denver, Colorado. So far, I have liked every track this guy has made! Omega really keeps it interesting. Plus I like the way he looks at things...
But without further a due I will let him say a little something about himself.
I live in Denver, Colorado says Omega. I am inspired by music in general, it would take a year to make a complete list, so I'll just list a few of the big ones that come to mind: Shpongle, Steely Dan, Rachmaninoff, Deftones, Chromatone, Venetian Snares, Ani Difranco, Tipper, Bil Bless, and Iron Maiden. Sorta all over the place, I've always been a music junkie, and always just listened to whatever struck me as good. There are some friends of mine that have definitely helped along the way with my development as a producer: Sugarpill, Dr. Vim, Future Simple Project.
My biggest influences within the dubstep scene at the moment. 16-Bit, Nero, Vaski, Excision, Mimosa, Downlink, Bird of Prey, Nucleya, NumberNin6, Propa Tingz, and Reso... I like stuff that is dirty and aggressive, but I also like pretty, elegant stuff too. And whatever style, it's gotta be fun. Nothing ruins a scene more than when people get all caught up in their own egos, and forget about having a sense of humor and keeping shit fun.
I'm part of an artist collective, Family Moons, and we just launched a new website on which we will be doing regular live streaming broadcasts of sets by Family artists and special guests: http://www.familymoons.com/radio
also, sound-systems without sub-woofers should be outlawed.
Into the grimier side of things? Then let me introduce you to Danny Beall aka. NiT GriT. This dub-step producer form San Jose, USA. Doesn't just produce bass he grabs it by the neck and strangles it to death! I could describe his music more, but I think the tracks will speak for them self's.
Born during the great buffet of 1906, Pat is considered the prodigy when it comes to overeating. Instantly stuffing his face with dark roasted beats and heavy salted bass he shocked the world as the infant with a gluttonous appetite for anything FAT. Every year Pat would get a little bit hungrier and grow a little bit fatter until he became a ball of fleshy cottage cheese. With his never ending vortex of griminess inside of him, Pat's stomach produces thrashing flatulents that entrance spectators in its warm and wet embrace. Indulge in the experience of thick musky bass explosions and jiggling funky flab the world has grown to know as FAT PAT.
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